I decided to go with D, and I just launched into it. I'm hoping folks can tell me if things are pulling focus and interest. I"m worried there's too much texture in the tree, perhaps, and I need to do something a bit more substantial to the path he's standing on...
@aprilshin I decided to change the boy's facial expression a bit, and have him looking upward with a "sorta" grin... I think that was stronger than the "I'm lonely" vibe I think I was going for... Does that make things a bit clearer? Or at least less complicated?
Hi there, I think you are asking the same question that we all have asked sometime to ourself.
In my humble opinion, your work is enough professional.
But, I think you should to take some art classes, I recomend you "Choosing Colors for Storytelling "... it´s really helpful.
I've changed a few of the things you suggested, except for moving the table and dad forward. I'm thinking the blank table is my text space. I also changed the baby to a more active independent role.
My next steps are going to be adding color and value.
Fantastic illustration - Love all the variations in texture and your color scheme really works well! Such a great idea for the independent theme!!
I'm agreeing with some of what @tombarrettillo has pointed out.
The helmet does seem a bit large, but perhaps that was intentional? It's hard to know without what your other work is like.
-The top foot placement also seems awkward to me. I feel like there should be some indication of a foot rest.
-The shadow feels a bit oppressive. I would think about lightening it up and introducing some subtle color into it, and adding some gradation to the background might make it feel a bit more polished.
This was an ambitious drawing to take on, so well done for seeing it through!
This is excellent, thank you @Chip-Valecek and @TessW I'll be looking into color saturation over my weekend and I'll see about adjusting this piece in particular. And as for Eye shading, I definitely would have but I totally forgot so I'll touch that up when I attempt to saturate colors.
@Chip-Valecek I see what you're saying about the lineweight, that is one of those things I have to be thinking about otherwise I am totally oblivious to it. My pen/Tablet is pressure sensitive so some of them on the inside of say the tree may come out thin but if they are one stroke they tend to be the same thickness, as the robot is. But I can see where they can be thinner.