24 Feb 2021, 02:59

@Katherine Quality-wise, this is super gorgeous!! But you also have to look at it from a perspective of: could an art director see this working in the context of a children's book?

Some things that may be problematic are:

  • The character looks expressionless, can't tell at all how she's feeling. For storytelling, expressions and emotions are very important!
  • Also hard to guess the character's age. She seems like she could be a toddler, but her face looks adult (and she's holding scissors!) In children's books, the main characters are often children. Art directors definitely want to see that you're able to draw children that are unambiguous in age.
  • Book spread composition. Art directors want to see that you're able to meet the specific demands of the picture book format. That includes leaving space for text (which you did!) but also directing the eye in the image and leaving space in the center for the gutter (the binding). Here you have a contraption and architecture that are composed very centrally and this might get cut off and look odd in print.

Other things that are great to include in a children's book portfolio to demonstrate the skills required are: book covers, spot illustrations, a narrative sequence (2-3 images from the same project with same characters), characters interacting, various poses and emotions, racially diverse characters (especially diverse kids), visual storytelling in every image if possible, children appropriate themes that appeal to the target demographic (school, dinosaurs, fairy tales, robots, etc), animals and at least a little bit of environments (indoors and outdoors).