Painting WIP - Critiques appreciated
@gary-wilkinson I like the 2nd version with the old lady large and in the foreground. Though I also like @Kevin-Longueil 's suggested composition as well as it makes for a more interesting composition. One thing you might want to consider (but it might take more work and time), is to have the old lady really looking up at the top window of the barn.
Eric Castleman last edited by Eric Castleman
Your painting style is so good. By any chance have you ever done a speed painting video? I would love to see how you go about painting your pieces.
rachy last edited by
@gary-wilkinson Lovely style and painting I think either placement of the old lady would work, I’m wondering though in this scene has she found the pig or is she looking for the pig? I’m reading the image at the mo that she’s interested in the cows and is on her way towards them. If she hasn’t found the pig but the reader knows she’s looking for it then it makes sense to be looking at the cows and there’s a nice sort of aah there’s the pig! for the reader. However if she’s found/finding the pig in this one I’m wondering if maybe you could pose her more so she’s reacting to the pig? How is she feeling about the pig in the top of the barn? Could she be looking up at it pleased to have found it or exasperated that it’s all the way up there?
Gary Wilkinson last edited by
@johanna-kim I'll play around with both positions and see which one fits in best. I was hoping to convey her pose to show that she was looking up, but I think due to the hat is is quite hard to tell that is what she is doing.
@Eric-Castleman thanks Eric. I don't have any videos of my painting process though I have put up some quick step by step processes of how I painted some of my caricatures that you can probably see on instagram. I usually have 2 ways I go about painting, if the scene is quite simple I will do a quick mini value study to decide on my lighting and then paint directly with color.
If the scene is more complex I will do a more detailed value study and then paint with a either a multiply layer or a color layer on top. When I paint with a multiply layer the scene becomes a bit darker, but I will flatten everything down and paint on top with a normal layer to slow bring out the lights (this is my favorite part). I rarely use any of the other layer types aside from Will's color dodge trick if I need to give the colors a bit more of a punch.
I hope to upload some more in depth processes blog posts on my website in the near future when I feel more confident in my own process
@rachy That's a good point. I think the cows are a little distracting so I need to adjust them still I guess. In the story she is looking around for the right type of animal and then when she spots the pig she realises that it would be the ideal choice. Her pose isn't fully showing her looking up it seems so I will try to play with that. Maybe if she takes off her hat then it will be more obvious she is looking up at the pig.
Gary Wilkinson last edited by
Slowly working on this piece as I tackle other projects too. I tried to fit in the old lady as @Kevin-Longueil had suggested, but I found that I couldn't effectively work it in without a lot of rework and adjustment in my vision for the piece, but I really appreciate the advice given.
It's still has a few hours left in it before I can call it done, but it's getting there. I got rid of the old cows and added some that are a bit more cartoony. I have also tried my best to keep their colors quite muted so that the pig retains the audiences focus, hopefully. I need to add another mini bird near the pig that will also help guide the eye and there are aspects of the treeline and other detailing that needs attention.
Teju Abiola last edited by
@gary-wilkinson This is coming along so well! I love the shadow on her hat it really keeps us in the composition and prevents us from wandering off the corner. The only thing I wanna say is maybe have more of the strong shadow edge on the ground in front of her. Extend the same one out. It seems too focused on her hat, but it should be larger considering the lighting situation. That would also add interest with the samples light and contrast. I love how you painted the dappled light and can't wait for the finish!
smceccarelli last edited by
This is a lovely piece, I love the color and the lighting! The only thing that disturbs me a little is that the pig seem to be in a slightly different style than the rest. I think it^s the contrast between the sharp dark lines and the light falling on it - he looks "drawn" while all the rest looks painted. Its edges are somewhat too hard compared to the rest.
I absolutely love how you handled the straw and the color of the barn!
Gary Wilkinson last edited by Gary Wilkinson
@smceccarelli I agree about the pig. Initially I wanted to try and make him stand out more, but I think that my composition guides your eye there anyhow so trying to make him much sharper and add contrast was too much. I repainted him and I hope it fits in better, also he looks a lot more consistent now to how he is in other scenes, so I'm very pleased to have redone him.
Thank you for everyone's responses and help in guiding this piece to completion. I will call it done as I have too many other things to get done with and I am pleased with how it's looking. Onward to the next piece
@gary-wilkinson Hi, Gary! I love this piece just like all your previous pieces. I love the colors. I love your composition. I love how cute your animals are. I love what you did with the cows and pig. The chicks are also a great touch. This is amazing. Great work!
RHirsch last edited by
I love the lighting in this piece, and the color variations in the hay. Such a palette!