@Lee-White, I'm tagging you because you know my work.
I watched the Q & A session on playback today and I have been thinking really hard about this. It does look really great! Here's the deal:
I have been an SVSer since 2017. By now I mostly come up with my own ideas and mostly work on my own projects. I feel like I’ve been on the edge of pro for a couple of years now. I am a member of two high-level critique groups, one illo/writing and one writing only. I have been in talks with agents, but so far no contract. I am also waiting on a contract for a book from a small publisher. I did CBPro and the portfolio review, and have gotten some individual mentoring. But I would love more, lots more, mentor-y pushing and sharp feedback. The hot seat sounds like just the thing! So the studio option appeals to me.
Here’s my quandary. I’m in Europe, and every one of those regular live events is going to require some pretty major fanagling to be present for. Some, like the hot seat, are during the wee hours. Sure, I can watch the video playback, but isn’t live participation the point?
Curriculum-wise, I have watched most of the basic courses multiple times. I have done the work for the more advanced ones. My basic drawing skills are good (I used to be a professional oil portraitist). I’ve been pushing character design for the past two months, trying to work on consistency. I know something about the industry. My gestures, storytelling and ideation could still use work, but it's more a matter of feedback and accountability than intellectual knowledge. And mostly, I’m still slow, despite increased emphasis on ideation. As as result, my social media presence suffers. So I am super frustrated right now.
Given my needs and what is offered, is the studio level a good fit? (Sadly, the $800 wouldn’t be a tax write off for me even if I got work.) Could I use the platform to get feedback on my own projects rather than the coursework? (For the most part--but I will use the evaluation to target what coursework I still need.) I know enough about how competitive kidlit is to realize that being competent isn't enough. I need someone to push me to do truly creative work. That and someone to force me send out postcards!
Thanks for any feedback! It's a lot to pay if it's not a good fit, so I want to make sure.
P.S. If I sign up for the studio version for one year, and can’t participate in enough of what I need to keep going, may I go back to my present subscription price?