@Ben-Migliore I know the feeling of not knowing where to go on a blank page... Sometimes I like to watch DVDs and freezeframe them on a scene (even if it's not a killer scene) and draw that. Another trick is to get an old book from a store and draw right over the words in the book. The psychology behind this is that the words underneath your drawing take away from the "fear of the blank page" - you can also use snippets of text from the pages for inspiration on what to draw.
@Ben-Migliore I'd take all these replies into account. Don't get hung up on thinking about being stuck like another commenter said move your pencil. Take people of your daily interaction/ people you see that look interesting everything from a old dude with no butt and suspenders and bottle cap glasses to young kid walking down the street with their buddy turn them into animals you think they resemble. Some one might look like a fox some one like an elephant I personally look like an emaciated horse who had allot of coffee. Google time periods like 30's 50's etc draw big simple shapes turn them into things, work big down to finite in terms of objects. I personally like doing "tons of thumbnails" because they are quick and you can spot good compisition fast! If you haven't taken the comp class take it. Find resources on rendiering/ color and light and study them to improve you rendering. Yippy almost to much to do to much to take in!!! Slow down catch breath relax now exhale.... Draw. Whew I'm exhausted. You are going to do great, let's get to work!
@Tyson-Ranes @Bob-Crum @smceccarelli @jimsz @Perrij
Thank You All!!
I think that anyone could read through and realise that everyone easily has one answer, which is just to draw! Although the concept is simple by principle, I'm so happy with the response you guys gave. I'm new in the forums and all of you sounded like you genuinely wanted to help by giving your advice. I 'll be sure to not get caught up and to just keep drawing.
Thank you again!
I had this problem too. Here are some things I tried and the lessons I learned.
Hope that helps!
I think you have many great tips here! But I really think @smceccarelli 's tip is the most important. Doodling is OK, but you don't learn much by doing that. I spent years doodling without really improving. Then I started using reference ALL THE TIME - That is when I really started improving. If I don't know what to draw, I open the Instagram feed of my favorite artists and copy their work, or I google a random animal and draw it.
I have 2 very useful apps by Stephen Silver to help me when I am on the go and only have my iphone for reference: one is his posebook - hundreds of various poses in all sorts of costumes; there is one app for male references and one for females. Here is the link, there a video of him showing how he uses it too! http://posebookbysilver.com/
The other one is Character Design Shuffle - It basically gives you random drawing assignment. For example, Female Squirrel doing Breakdancing... Quite fun actually!
I hope this helps!
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I really like the "Iterative Drawing" convention mixed with "Quantity, not Quality". First and foremost, I recommend watching this https://www.youtube.com/watch?v=k0ufz75UvHs and then reading this http://johnmuirlaws.com/art-and-drawing/quantity-quality (I think everyone will like these links :)).
Instead of stressing out trying to make ONE perfect subject (quality), you will instead draw hundreds of imperfect versions of the subject, but always learning something new (iterative quantity). After that, you will be able to draw UNLIMITED perfect variations of the subject. <- make sure you always review every drawing and correct your mistakes in the next one/add something new in the next one, otherwise it won't be "iterative", it will be "blind" practice.
Every drawing is a preparation for the next one, so don't focus on pretty pictures on daily practice.
IN DETAILS:
It is no use if you keep blindly drawing something for the sake of "practice everyday" without correcting your mistakes, without learning about them and without improving upon them. So the iterative drawing + "quantity not quality" makes you draw the same subject dozens upon hundreds of times. But applying what you learned in the previous drawing and fixing it. Then since you are focused on quantity, you will draw, for example, a billion eyes iteratively, with just a little fix here and there, until you master it.
“The ceramics teacher announced that he was dividing the class into two groups. All those on the left side of the studio would be graded solely on the quantity of work they produced, all those on the right solely on its quality. His procedure was simple: on the final day of class he would weigh the work of the “quantity” group: fifty pound of pots rated an “A”, forty pounds a “B”, and so on. Those being graded on “quality”, however, needed to produce only one pot – albeit a perfect one – to get an “A”. At grading time, a curious fact emerged: the works of highest quality were all produced by the group being graded for quantity. It seems that while the “quantity” group was busily churning out piles of work – and learning from their mistakes – the “quality” group had sat theorizing about perfection, and in the end had little more to show for their efforts than grandiose theories and a pile of dead clay.” and Drawing isn't about trying and trying until something nice turns out. If your drawings look bad, there's a reason for it. You need to find it and solve the problem, not go and create a situation in which this problem will not be visible. You won't become a chess champion by facing only players that are easy to beat.
EDITED - these are my notes and annotations that I extracted from the video:
@Bob-Crum That's interesting. When I was a little girl with 5 sisters and one brother (later two), we all liked to color and draw with crayons. We did ti so much! My mom used to spread out the newspaper want ads on the hardwood floors and dump the crayons out and we would draw over the small print 
@NoWayMe Character Design shuffle! Ha! That sounds good!
One thing that always helps me draw is to have an ongoing project to work on. That way you can see tangible progress towards a finished product. That could be a multitude of things. You don't need to start with something huge, think about what area of illustration you enjoy the most and find a project/product that accentuates that. A Drawing Challenge, a Comic Book, a Children's Book - anything that gets you excited to draw!
Scribble until you find something. Basically just throw down some lines and then think of something to turn it into (not a face) and start drawing over top. You will find yourself creating goofy characters and objects that can be refined into real items. As far as doing it everyday you need to make an actual time for it and stick to that time.
sorry if I repeat what others have said, I don't have time to read all the replies. but here are a few things I do (on top of my head):
eventually, something will come out of that: whether is unblocking your creativity, improving your skills or creating something new and exciting
Giuseppe Castellano recently gave an art tip on twitter, that I really liked:
• Buy a cheap sketchbook.
• Title it: Bad Drawings Only
• Use a cheap pen/pencil.
• Draw freely
Some good suggestions here.
Some more basic advice is to simply make time (like a week) to actually figure out what you want to draw. This is part of the process. If you skip it, everything after that becomes difficult because you are sitting there staring at a blank page.
Sketching just what is around you is sort of lazy and super boring (IMO). Take a week and gather the coolest, most interesting stuff you can find and put it in a notebook. Then use it as inspiration when you sit down to draw. You can do master copies, or just start on a theme and run with it. Space ships, robots, tree houses, city scapes are all things that get me going. What is it going to be for you?
I thought I had nothing to add to this thread, until I read Lee´s post - which reminded me of something.
I used to draw from posebooks, cover-to-cover (I still pick them up sometimes). I have always been interested in drawing people more than anything else, but going out and sitting in a coffee shop to draw happens too rarely. So I bought posebooks (there are a zillion out there, even some with different focus, like "children" or "action poses" or "sports") and just drew from them, one page after the other. Some have the same pose from 6 or 8 different angles, which is even more interesting. You can even use a timer and set it as short as 3 minutes per pose (short poses are a staple of live drawing). When you can draw without thinking what and learn something in as short as 3 minutes, there are no excuses for not doing it 
i dont get your question tho u said u dont know what to draw(dont have any idea), but i feel like u dont know how to draw( dont know how to start ). if im wrong im sorry and stop reading right now.
if u dont know how to draw here is some tips
1.first watch finished not perfect of jaked parker 
https://www.youtube.com/watch?v=lRtV-ugIT0k
2.maybe 30 mins before u go to sleep just find some refs u like i try do draw them by basic forms try to break them by boxes, spheres, cylinders,...
+draw outdoor with sketchbook (dont buy expensive buy the cheapest u can find)
U dont need to draw by your memory that thing for professional or at least forget it for now
2 kind of sketchbook u may wanna consider
-A4 sketchbook is great u dont usually forget at a coffee shop a in a restaurant easier to draw details
-small sketchbook really easy to carry around draw quick because u dont need to do the details... your drawing will be really rough if u dont draw well....
up to u use whatever u want to make u feel comfortable
Find some refs u like to draw and keep them inside/near your sketchbook maybe u wanna write down drawing process in your sketchbook i have my own drawing process and i always follow it
+basic forms/shapes
+center line/curve/...
+perspective or contour lines
+rough drawing
+clean lines/ink
basically if u want to do drawing or designing for living just draw anything on any piece of paper u can find( and dont wast paper tho try to fill up) dont wast time
hope it help
@lee-white said in How to draw everyday:
Some good suggestions here.
Some more basic advice is to simply make time (like a week) to actually figure out what you want to draw. This is part of the process. If you skip it, everything after that becomes difficult because you are sitting there staring at a blank page.
Sketching just what is around you is sort of lazy and super boring (IMO). Take a week and gather the coolest, most interesting stuff you can find and put it in a notebook. Then use it as inspiration when you sit down to draw. You can do master copies, or just start on a theme and run with it. Space ships, robots, tree houses, city scapes are all things that get me going. What is it going to be for you?
Thanks so much for your suggestion! I have a bunch of inspiring artwork on folders on Pinterest and Instagram that I'd love to pull out. I'll try and start, and after a while I'll possibly post a thread here on how it turned out. Thanks again.
@linhb Thanks! I love that video from @Jake-Parker! This will definetly help
@Bob-Crum That's interesting. When I was a little girl with 5 sisters and one brother (later two), we all liked to color and draw with crayons. We did ti so much! My mom used to spread out the newspaper want ads on the hardwood floors and dump the crayons out and we would draw over the small print
