@Chip-Valecek . Some of the feedback I got is that my work is best when it is looser and more sketchy...so I decided to try out some more "accidental" brushes and to keep the lines visible. I had experimented with digital watercolor in ProCreate but never in Photoshop. Somehow, the number of options in the Kyle´s set intimidated me. This time I decided to try his "Wamazing" brushes...which are really amazing, very weird and fun. Also, I sorted out my layers in a different way. I am not sure I like the texture he put into the brush (it is a bit heavy-handed, I find), but I am probably going to switch to opaque brushes to finish, so it will be pushed back a bit.
And I do agree that my work looks better when it is not too polished. And its faster too!
This realization reminds me of an anecdote in QUentin Blake´s biography. Apparently in his first editorial works, the art director decided to publish the sketch instead of the finished illustration, because he liked the sketch better. This prompted Quentin Blake to remain at the "sketch phase" of his illustrations, and that is how his style began.