SVS Artist Interview with Nyrryl Cadiz



  • Here's another chance to get to know, and be inspired by, one of our fellow SVS artists. This time Nyrryl Cadiz shares a bit about her life as an illustrator and what has motivated her to jump over obstacles to get to where she is now. You may recognize the art she's shared here on the forum, often lit with soft but brilliant light, portraying characters in a uniquely relatable way.

    Could you tell us a little bit about yourself?

    Hi! I’m Nyrryl. I’m from the Philippines and I’m 21 going 22 this February. If you’re wondering, my name is pronounced like ‘peril’. I’m self-taught and never attended any traditional art class. I wanted to take Animation in college but my family couldn’t afford it so my mother opted not to send me there. Back then, I didn’t even know Illustration was even a thing (not that there was any school in the Philippines offering Illustration anyway lol). So instead, I took up Civil Engineering. It was a bad decision. It was not for me. I felt I was trapped with no avenue to stretch my creative muscles. At the beginning, I did well but as the years went by, I sort of fell into a depression. I didn’t want to go to school, I didn’t want to get out of bed, it was terrible. Luckily though, I pulled through and I’m proud to say that I graduated just last March. I feel more pumped than ever to study art but I still have to study for my CE Licensure Exam ( it’s a national exam in the Philippines where if I pass, I’d be a licensed Engineer). The review takes about 5 months but it’s nice knowing that if things don’t pan out in Illustration, I still have a back-up. So wish me luck guys.

    On your website, you wrote about being a young girl and passionate about art but not having any role models or professional artists in your small town to look up to. How did this affect your path, and how did you end up where you are today as an artist?

    It was not easy. My grandfather was a photographer and he painted in his spare time but he didn’t technicaly draw for a living. Since no one I knew did art for a living, I assumed that it’s not a real job. I grew up thinking art is just a hobby and so I didn’t really gave it much of a thought career-wise. I never really practiced/studied it seriously. it’s only recently that I learned that you can actually make a decent living drawing. I had to sort of find my own way and teach myself art. I scoured the internet for resources, watching tutorials and imitating speed paints. That’s how I found Will Terry’s youtube channel and eventually SVS.

    What are your ultimate goals and dreams when it comes to what your art can contribute to the world of children’s literature?

    Wow, this is such a heavy question. I don’t believe my art can change the world any time soon but I do hope that it would help people’s lives even in small things. I want to make them smile when they’re sad. I want to remind them that there is always hope even in the darkest times. I want to help encourage kindness and understanding when all you can think of is hate. I want to spread goodness and positivity.

    Though winning an award is great, I want to make a book that when a child will read, will always stick with him even as he/she grows older. (Now that’s sappy 😂😅😊)

    Could you share with us three illustrations that you’ve done? Feel free to share any details about why you made these pieces.

    0_1547148582755_8951A19D-E0EE-4F25-83BB-1123286C206F.jpeg

    These images are all mile stone pieces in my art journey. They mark the various stages and progress of my skills and style. Well, that first image is my first “successful” digital illustration. I inked it traditonally and then colored it on photoshop using my wacom intuos small. This piece was made when I was first starting digitally. I didn’t know much about painting and color theory. And as you can see my work is still really flat looking.

    The second image is the first illustration I posted on SVS for feed back. First I sketched and shaded that traditionally with a pencil and then colored that in photoshop. By around this time, I’ve started experimenting with photoshop and traditional media. This style was inspired by Jake Parker’s Little Bot and Sparrow look which I believe was also done in pencils and photoshop. I really like this style. I LOVE the texture. I was even planning to do the shading with watercolors. Perhaps, I can try that in the future. I set this style aside though because it took too much time at least for me to shade by hand and scan it properly into photoshop.

    The third image, is my first ever entry to win a place in SVS’s monthly contests. I did that one fully digital using my ipad and procreate. This is the time I decided to go full digital as opposed to my previous mixed media works. I’m really proud of this piece. For me this a huge validation. As someone who has never gone to art school, I always have this insecurity that I’ll never be as good as those who did. This piece made me believe that perhaps, I do have a chance. Plus, this is also my first piece that I tried to render the heck out.

    You did the illustrations for a book published in 2018 called “Hal’s Worst Wednesday”. Congratulations! It looks like an awesome book! Is this your first book or have you done others?

    Thanks! It’s actually my second book from the same publisher but the first book is currently having some publishing issues. I’m not sure when it will be released. Other than that, I’ve done about 4 books before for indipendent authors and I guess about 1 of them is on amazon. LOL 😂 Hal’s worst Wednesday didn’t really pay much compared to deals I hear other illustrators are getting but it was certainly a lot for a starting illustrator who’s still at school like me.

    My first “published” book was a project I did for my mother’s class. It was then and there that I realised that you can actually make a living drawing books. From there I started looking for jobs in places such as Upwork and Fiverr. I found menial gigs and projects but they were very low paying and most of the clients were... to put it nicely... weren’t the best. 😅 It’s alright though. I learned a lot on how to deal with nightmare clients that way. 😅 Just this December, I finished a book for a client I met on a facebook children’s writer-illustrator group. The pay was relatively small as expected but the schedule was very loose and the client was very nice to work with so that’s a plus. It’s comming out later this year. I might share an update on that soon.

    How did you get the job for “Hal’s Worst Wednesday”? What was the most unexpected thing you learned from the project.

    Well, I did that book about a couple of years ago. Back then, I was cold emailing agents with no success. My work back then wasn’t that great so maybe that’s why. 😅 I got tired of it all so I decided to just email all the publishers/agents that I found on the internet. Luckily enough though, a small publisher responded to me and we did 2 books. Again, the first book is still in the works. I think they’ve hired a new illustrator for that project because they needed to change the main character’s design because my design didn’t fit the trademark of the institution they’re using it from and I didn’t have enough time to work on it. I don’t know if I’ll still be credited as illustrator. That whole project is a mess. 😅😢

    Anyway, what I learned from that whole process is that ‘you’ll never be fully ready’. There will never be that right moment for you to reach out to publishers and agents and start working. There will never be that moment when your art will be at its best because it will always be changing. I’m seeing a lot of artist taking their chances though they profess that they’re not that fully prepared and making it big. There will never be a right time to chase opportunities. Instead, you make your own opportunities today. My portfolio was crap back then and my style lack-luster, but if I didn’t reached out to that publisher, I would have never gotten that opprtunity no matter how small it was.

    Moving forward, what are your needs as an illustrator, and is there anything we can do as fellow SVS artists to support you?

    Well, moving forward, i’m hoping to further improve and diversify my skills. Since, I can’t actively look for art jobs because of my current commitments, I’m aiming to further beef up my portfolio, adding at least a piece each month such that come June, assuming I passed my licensure exam, I can go looking for an agent. I think SVS is the best community to help me with this. The people in the forum are always willing to share their knowledge and give critiques. What I really need is a second pair of eyes on my work to point out things that I did wrong and SVS has provided me with so much more. I can’t thank everyone enough. Thank you!❤

    Thanks so much for taking the time for this interview!

    Nyrryl's work can be found at her website: https://nyrrylcadiz.wixsite.com/portfolio

    Please feel free to post comments or further questions for Nyrryl. 🙂


  • Pro

    Wouhou I was so excites when I saw Nyrryl's name! Love her and such an interesting interview 🙂 I didn't know you had already worked on books, that's awesome!



  • @nyrrylcadiz You must be really smart to work towards being an engineer and figure out all this art stuff by yourself! And to have already worked on some book projects! Great interview 🙂



  • Thank you for sharing. 🙂 Amazing


  • SVS Team SVS OG

    I love seeing and reading these interviews. Being part of the forums for 3 or so years I see lots of people come and go. It almost seems like waves of people. When I joined there was a group of people that were always on the forums. Slowly only a few of us are still active. Then it seemed like another wave came and only a few from that group are still active with us. And now another group. So its nice to read these interviews.


  • SVS OG

    @NessIllustration Thank you! ❤️ I’m really happy you liked it. The book I did wasn’t really that big. The publisher I worked with was one of those small hybrid publishers and they paid just about a grand. Given the fact that I didn’t hear anything back about the book after it was completed leads me to believe that it was ok at best. 😅 it was still great to have an actual published book and experience the entire process though.


  • SVS OG

    @Teju-Abiola Bless you! I’m not really that smart. The moment I figured I didn’t really like studying Engineering, my grades floundered. I would’ve shifted to another major if I could but given my family’s financial situation, it was not an option. We’re really, really poor. Plus, my mother wouldn’t also let me. 😅 She said, “ if you start something, you finish it!” Well... and that was that. asian moms 😅 I did my best to get by and miracles of all miracles, I graduated. As for my art journey, I wasn’t alone. I had youtube to help me and I found SVS!😃 I’ve grown so much ever since I joined. You and everyone here in the forum helped me get better.


  • SVS OG

    @ThisKateCreates Thanks! I’m really glad you like it!

    @Chip-Valecek I’m really glad you like the interview. I hope i’d be one of those who still stay around the forum even if time goes on.


Log in to reply