10 Mar 2021, 19:20

@Lee-White Nice save! 😅 But I would like to discuss this more.

So I was listening to this episode this morning and was a little disturbed by what I was hearing. Maybe "confused" is a better word, since I know Will, Jake and Lee recognize the inherent value of copyright protection. But as I listened I found myself wondering:

"Hang on -- are they saying that there's no point to copyright protection?"

I've listened to this section twice (you know, before I start randomly posting my criticism on public forums) and if I were new to illustration I would likely come away pondering:

"If I can't really ever win a copyright suit ...
AND I am required to register my work before I can file a copyright suit...
AND the automatic copyright protection doesn't have any real teeth unless I register my copyright . . .
Then what's the point of US Copyright Law (Title 17)?

Reading @Lee-White post above I realize now that the emphasis in the podcast discussion is on the: "Take someone to court and try to get monetary damages out of them" part of "suing" an infringer.

But if you change the word "sue" to "take legal action" then there are other tools that copyright protection (and the associated registration with the copyright office) provides to illustrators.

@Lee-White @Jake-Parker @Will-Terry and anyone else who has experience with copyright protection -- can you offer some examples of ways in which copyright has benefitted your career? @Lee-White I recognize you mentioned stolen images on FB and Amazon. Can you chat a bit more about that? What aspects of copyright did you utilize?