If you have a full time job and are working towards switching to independent illustrator...
Shelley James 0 last edited by
@Adam-Thornton-0 You mean self-care is important? Going to the grocery store alone is not self-care? lol.
Yeah, I am trying to be gentle with myself. I tend to procrastinate on the actual sitting down and working on art (Fear of not being good enough, not turning out right) but once I actually am working I don't ever want to stop. Just gotta get over the fear and one foot in front of the other.
Kim Hunter last edited by
@Shelley-James-0 100 goats, 6 horses, 3 dogs. They are a big influence on my writing and you may have noticed a goat theme on my March contest entry. Love my goaties!
txels last edited by txels
@Shelley-James-0 I work as a freelance software engineer. I quit my full-time job more than a year ago to go freelance precisely to be able to free up time for both personal software projects and for artistic endeavours aka hobbies (guitar and comics).
I organise my working week days roughly as 3 days of "client billable projects" (paid work), one day personal software development and one day "hobbies", which this last year has mostly been drawing.
One thing that has helped me now with drawing (and in the past with guitar) is to aim at allocating a little time every day, never letting slip more than one day in a row. For that I use a calendar, I cross out the days where I've done some drawing. The key to being regular is to allow yourself to occasionally miss one mark (this will invariably happen), but not to allow yourself to miss two consecutive days.
Typically I draw in the evenings after dinner - when my wife and son of 10 are either reading or already in bed. Between 30m and 1h at most. On Thursdays, my special "art day", I take lessons and maybe spend about 4-5h drawing at most.
ajillustrates last edited by
@Shelley-James-0 I'm a full-time graphic designer/art director, and though I do fold illustration into a lot of my day job, I'm hoping to switch to more self-generated illustration work in the future. I'm also a single dad with two kids (2nd and 1st grade), so finding drawing/painting time can be tricky.
What I aim to do is during the workday, take a 10 minute break after 50 minutes of work where I leave the computer and put in some sketchbook time at the drawing table. Then I put in between 1.5 and 2 hours on freelance/illustration projects after I put the kids to bed. And if I can get a few hours extra here or there on the weekends, that's gravy
RachelArmington last edited by
@Kim-Hunter You bring up an important point. Having time to contemplate while one's hands are busy helps the creative process.
lpetiti last edited by
I was thinking about this topic last night. Currently I'm in the final stages of my next book and trying to get my high school students to the end of the school year with as few F's as possible. In the past I've been able to bring my work with me to school and work alongside the students, but it's harder this year. That means that I have to do a lot of work after my day job, but due to some health issues that means I'm doing work extremely exhausted, sometimes even falling asleep while drawing. Times like this make me think about someday transitioning to part time teaching, particularly after my boyfriend begins his nursing career and we'll be decently financially stable...
abbottcartoons last edited by
I’m retired military, now a syndicated cartoonist among a host of other (way too many) things. I’m working toward expanding my artistic/illustrative abilities (thank you SVS Learn) to expand into my lifelong aspiration of creating maritime art (among others) worth looking at. Since I’m still working on my portfolio, I found that getting up 2 hours before the rest of the household to learn, practice, and draw/paint is the most effective way for me to consistently have undisturbed, focused time. It doesn’t always work - there are times I’m convinced my alarm clock is lying and ignore it just for spite, but overall, I’ve achieved more in this time block than in any other.
Declan Konesky last edited by
Just saw this thread! I was recently laid off from my painting job. Typical this time of year. Basically a seasonal thing. So it's made it easier to work on my projects or sink 8 hours into a piece. It's akin to having summers off as a teacher I imagine. Although I don't have any work coming in. It's hard to get stuff to come in when you work a full time job. Some of that is probably fear, like if I actually was getting illustration work would I have the time to hit deadlines? Idk. When I was 'full time' as an artist I technically had 5 jobs, two of which were not art jobs. It was oddly easier to still get my own work done on top of all that. Then again I had a following in my town but now that I've moved I know longer have that.
So I'm trying to figure out what work fits with my day job, which is basically 6-145. And if I start taking on these side jobs how will I be able to balance day job, side job, cons and fairs, and the networking type stuff with other life? It's tough bc I currently have healthcare, pension, 401k, and good pay, but I also have to walk around in stilts to cut in ceilings, spray units and wear a respirator all day, that sort of thing.
The short is I am trying to make headway while I can so that if I burn out juggling later on I won't be that much further behind. 2 steps forward and only 1 step back rather than vice versa
txels last edited by
@ajillustrates "take a 10 minute break after 50 minutes of work to sketch" I love this idea, I will see if I can apply it myself! My job dynamics as a software engineer don't necessarily make this easy. Do you set yourself reminders/alerts to take breaks, or can you make it "just happen"?
ajillustrates last edited by
@txels Oh I definitely can't just make it happen ! I'm by nature not a routine guy at all, so I really need to schedule to make schedules with alerts built in. I use the BeFocusedPro app, and I have it set it so that I work in 50 minute chunks of time. So when I start doing my graphic design work, I hit start on the timer, and after 50 minutes, an alarm sounds, and the screen switches to a 10 minute timer for a break. Once the ten minutes is done (while I'm drawing), I start a new 50 minute block of work.
What I also like about the app is that I can create multiple projects titles, so I can track my time on individual illustrations and tasks when I have more time to commit to illustration. This has really helped me in doing a better job planning and budgeting my time for projects, as well as figuring out better pricing for my work.