Episode 7: 10 Reasons I Won't Illustrate Your Children’s Book
carriecopa last edited by
Great episode, the three perspectives were really interesting too. I once got an inquiry about illustrating a poem someone wrote. I had recently listened to Will video about self-published authors. When the client mentioned the main character was based on her daughter, I imagined troubles in the future of not getting her character exactly right and said no thanks.
Best advice from Will & friends is to talk money early. That tends to weed out quite a few requests and save you time. I got a commission request last week for a "quick sketch" and when I sent over my pricing info there were no further replies.
MattBaker last edited by
Thanks for another great podcast with such great advice about this very relevant issue.
There's definitely a few times where I wish I could go back in time and say 'no' where I've said 'yes'. The struggle is real.
C. Alan Green last edited by
I had a couple quick questions for you or anyone who has worked with a publisher. How does an illustrator submit there artwork to a publisher (or however that works) so that publisher can partner them up with author?
I’m currently working on a children’s book for a family friend, but would like to see if I have what it takes to work with at least a minor publisher.
That leads to my next question, how do I find medium to small publishers to partner with?
Thank you guys for all you do!
C. Alan Green
bnewman last edited by
Thanks for another great podcast. I am really enjoying these. I was recently approached by a self publisher with really great intentions and at first it seemed like a great opportunity. In the end I turned it down due to some good advice I received here (thank you!!). If I had taken that job, I would have been doing an illustration every week for a year without pay. I'm sure I would have cut my arms off by now just to avoid finishing.
rcartwright last edited by
After listening to this I feel that SVs should find someone to give a proper talk on self publishing. I just finished reading a book about the subject geared towards Canadians. My reason for reading the book was that if my current project doesn't get published through traditional means then I will push to get it done myself. I don't think there is anything wrong with using your abilities to fully develop a project. I however prefer to do my own art work, but have plans to work with an editor. I also found it amazing how many famous books in all genres have been self published way before it was even a thing people talked about regularly. I think it should also be mentioned that print on demand services like Amazon are now becoming much more profitable for authors
C. Alan Green last edited by
Just thought of another question. When submitting work to a publisher, do you submit a “finished not perfect” piece or only your best work?
IanS last edited by
I've just got to chip in and say I'm really enjoying the podcast! Thanks for putting the time in to do this.
Johanna Kim last edited by
This was a fascinating listen. The one thing that really got my ears buzzing was @Lee-White 's idea of a contract for critique groups (listen at 33.50 in the podcast). At first, I was really appalled by the idea. I've always envisioned these groups as inherently safe places to share one's work; where there's an unspoken code of trust and ethics. The idea of proposing to my fellow members to sign a contract goes against that idealized vision. But as I thought about it more, and heard @Lee-White say that his bad experience occurred with someone he knew very well, I'm starting to get convinced of the value of such a contract. A quick Google search has not turned up anything, though. Does anyone know if such a contract already exists? If not, I'm tempted to try drafting something for my critique groups to consider.
jodiegraham last edited by
Awesome! Really true persepective on things!
Rob Diaz last edited by
I've listened to this episode about three or four times already. Great podcast guys!