Feeling very discouraged but here's another try.
@Bobby-Aquitania This is very good advice. you are a good asset for this forum.
Damien Rambacher last edited by
Hi Marsha. I think everyone feels discouraged sometimes, but just remember the only one you can compare yourself to is you (easier said than done, I know) and as long as you keep working at it you will improve (even though it sometimes feels like you get worse.)
As for your drawings looking stiff and flat, here are some videos that might help: https://youtu.be/DQYoVXXlGt0 some good exercises to get you thinking 3-dimensionally (helped me a lot), and https://youtu.be/74HR59yFZ7Y?list=PLtG4P3lq8RHGuMuprDarMz_Y9Fbw_d2ws gesture drawing can really help loosen your drawings up. I would also highly recommend checking out the book "Drawn to Life" by Walt Stanchfield.
Ace Connell last edited by
Don't feel discouraged, use your weaknesses as a strength. I love not being able to do something or something not looking right. The struggle is where you learn.
Hello, Marsha. I have a similar problem - I feel as if my drawings are very flat.
One thing that has been helping me get passed the "stiff" look is combing the SVS cources with some studies of character model sheets. Here is a link with some references: https://goo.gl/mG3wv7 We can basically try to apply these same poses to our own characters...until it starts to become second nature to us... I haven't gotten to that point yet, but I can already see a bit of progress in my drawings. The sample you submitted already shows great ability.
Thrace last edited by
Wow! I sure go ta lot of replies! Thank you all so much for the advice. I have a lot to look at and try now. I have taken acrylic painting classes and I am pretty free with that, we did gesture paintings. With acrylic I could paint a whole leg in one swoop but I think that when I use ink I am outlining carefully what I few with pencil. The loose pencil always looks so much better. I have things to think about. Thanks for your encouragement. Before i came on her today I inked another picture. I probably need to work on it more but I will share it anyway. It's a little bit different than the pencil sketch. I wonder if anyone can tell what I'm trying to convey with it.
Nancy Gormezano last edited by
My figures are stiff and I seem to do work that is flat.....
Well has SVS got a course for you!
Take a look at "How to draw anything". "posing characters" "breathing life into your character designs" and "creative compositions"
That's just to start! Hopefully you have signed up for subscription service.
They are all excellent and chock full of great info, exercises. Minimally apply the concepts to your own images, and examine them in a new light. And for extra points: (don't do like I do) but actually do the exercises!
And in a quirky way tho, since I come from doing 3D modeling, animation world, I am finding that I want to flatten my imagery to look less CG!
So there is, and can be beauty in flat! Think folk art, and primitive art!
@Nancy-Gormezano I was just thinking that my style is kind of primitive, actually. I kind of like imperfections but...is that an excuse I try to make up for it with color I do have a subscription and I also need to do the exercises. I've done some of them. I spend most of my time entering scbwi and 3rd Thursday challenges. Maybe I should skip one and do the homework
Here's my colored version. I MIGHT do a couple of last minute fiddling before I turn it in.
Leontine last edited by
I love the two sad reindeers! they are so funny!
Hi Marsha, Thanks for posting this. Everyone feels discouraged with their work when they realize how hard it is to actually hit a concept. It's a very weird thing because all our life we are told that art is "fun" and "relaxing" and it is • if it doesn't matter what the end result is•. In other words, if you are just drawing or painting an image for yourself, if the concept changes over the course of the painting, it's no big deal as long as you like it. The second you start trying to do something specific, it gets WAYYYY harder. Combine it with a difficult client and you are in a whole different realm from what art used to be and how it used to feel when you were just playing around.
This is why the 3rd thursday assignment is so good. It starts to develop your instincts and will really help make the transition from a student to pro (if that is what you want to do). That said, i would highly recommend doing the specific class homework assignments. You will never reach your true potential without really digging in a doing that dedicated work. It is the one benefit of a brick and mortar school over what we are trying to do here. They make you take perspective, color theory, composition, etc. which many people would skip if they could. Turns out those basic classes and assignments are so important but it takes time to really see why.
Maybe do a 3rd thursday one month, then do some assignments the next month. Then alternate thereafter. Just a suggestion.
Let me know if you have any questions at all. : )
Thank you Lee! I see what you mean! It really is hard work. I do want to improve and I would actually love to take all of those classes and have taken quite a few-some many years ago Unfortunately, I don't really have the time to take those brick and mortar classes right now so this has been really great to find SVS. I actually have a couple of books I have been trying to work on and have three books I illustrated and they have been published (of course not the big publishers and the clients aren't artists I'm really struggling with the actual thumbprints and laying out the pictures! But, of course, I need to do the assignments and develop my art skills too! I'm kind of doing things backwards. I recently had someone want me to illustrate a book and give me 50% of the proceeds......not interested for to reasons: I don't feel I'm quite competent enough yet and 2, I don't want to put hours in to a book for someone that then, doesn't make anything from it. I have already done that (though it was okay because it was my friend and I did it for the experience). I don't really need to do this as a career but I do want to do it for the challenge and wow, it is challenging. I am almost 60 years old
You guys are all awesome to teach these classes and be such a great help to us. I am so impressed with some of the art I have seen on this forum and in the third Thursday critiques..and to think that you have responded to my discouraging post is very appreciated. Thank you so much. I've been trying to work on perspective and be more free with my figures, etc. or that is what I feel I need to do anyway. If you have seen any of my work, I hope that you will give me some feedback on areas that I can work on too. Thanks again! I also do the scbwi draw this challenges.