Brighter colors or muted colors ? Need your opinion 🎨
Phil Cullen last edited by
@Darian I don't actually think you went overboard with the background desaturation at all. To me it's still quite vibrant. I'd desaturate the background a lot more, almost too much and then bring it back a bit and see if it changes the image for you.
But again I think what you have is really cool
thank you @Phil-Cullen . i think i'll need to figure out the right balance between the vibrance & the desaturation..hmmm..maybe more experimentation is required.
The timeline of posting within a week doesn't help either..haha !
I prefer when they are more vibrant. I tend to pump up the saturation a little in my final stages of a painting. It seems to give it a little more life.
@Chip-Valecek thanks! so would you go for the more vibrant one of the two in the post?
theprairiefox last edited by theprairiefox
I have the feeling that the answers you are going to get are going to be heavily based on personal taste. I prefer the muted colors personally.
But... I would say you should use the vibrancy to your benefit. The question you have to ask yourself is what feeling are you going for and which vibrancy accomplishes that?
For example: if your concept for the monk drawing is that it has a feeling of "old times" or a "dusty chaos" feeling then I would go for a more muted palette. If your keywords are more along the lines of "fire in the calm" or something like that I would go for the higher vibrancy.
It is difficult to give better advice without knowing your intent for the piece. Good luck, I love the energy and fun of these pieces, they are really great.
thanks @theprairiefox ! for the frightened creature, the mood i was going for fearful but with a touch of humorous vibe. I liked the dull one completely at first only to wonder later if the vibrant one was a better choice.
So, I guess what I would like to know is whether the dull version is too dull on an average or is it just right
@Darian yes I would go for the vibrant ones.
lovetherobot last edited by
Definitely more vibrant colours!
Laurie last edited by
This is something I struggle with also, as I love doing detail work and tend to overwork a painting because i can't seem to stop myself...... I just took Will Terry's Light class and one thing that I took away from that class(probably because I never do this) is that he said throughout the class, emphasize the main subject/theme by clear details, color usage etc. and downplay everything else, by desaturation and fuzzier lines, etc..... that being said, I love how your pieces are turning out, brightly colored and detailed throughout, soooooo not sure what to tell you, other than, Good Luck! I agree with @theprairiefox where your answers may be based on personal taste!
VitoPetra last edited by
ohhh what!? crazy good work! : I would go for a bit duller color range less vibrant! it's too much information to take, i would rather direct with a strong cast shadow on an actual character where would you like your viewer to look . : )
Thank you @Laurie for some really good pointers. I do try and implement it but I guess I get carried away sometimes
Thank you for your feedback. It helps!
@VitoPetra Yes! I think 'too much information' is the right way to put it! Thank you for that point of view! Strong cast shadow is certainly another good idea to highlight the focal point.